"Generally, I play the guy where it’s a bit like: ‘Yeah, he’s not unattractive, but it’s not his looks that make the lead girl want to be with him, so much’. That’s the way I always feel in my head. I feel like I get away with more than what I was given".
This is monsters and magic and nothing we were ever trained for.
"The most important keyword to me was ‘train’ and the structure of the narrative reflects that. It’s simple: Curtis travels from the very last section of the train to the front. So the different carriages represent different stages in the story – every time you enter a new car, it’s like a new world that the characters are experiencing."
– Joon-ho Bong on the design of the train cars.
This is a family photo; and you cannot tell me otherwise.
I honestly saw this as a way of George telling D&D to fuck themselves
Sometimes the best way to deal with disappointment in one arena, is to accomplish something else.